HOLLYWOOD – It’s not Michael that haunts her.
Sit with Jamie Lee Curtis and she will try to forge a connection. She will relate, she will pound her fist on the table, she will declare herself. She turns 60 next month, and the real bone chiller is leaving this earth with ideas left on the table.
“I want to die having said something,” she says firmly.
It’s a beautiful, weird, emotional time for her “Halloween” arrives in theaters Friday, a sequel that critics have hailed as the best installment of the horror franchise since the 1978 original, with an 86% fresh rating on review site Rotten Tomatoes. This is the franchise that made her famous at age 20. Her first real job.
The new “Halloween” finds Laurie Strode as a grandmother who stockpiles weapons (and, yes That Include Guns), and escape plans, knowing that one day the murderous, masked Michael Myers will return. (The new film basically ignores the plot structures of all sequels that came before it.) She has pushed away her daughter (Judy Greer), who considers her paranoid and unstable. She is close only to her granddaughter (Andi Matichak).
“Halloween” is a film that pulses with the repercussions of trauma. It’s a horror movie, sure, but the film’s timeliness is arresting; Curtis reminds that this interview is taking place on the exact one-year anniversary of when Harvey Weinstein’s world imploded and just after Bill Cosby went to jail. A week after Christine Blasey Ford testified on Capitol Hill.
In the original “Halloween,” Laurie, 17, once a promising, curious, college-bound teen, “became a freak,” Curtis says, after Michael’s killing spree. The latest film bookends the causal effect of Laurie’s nightmare, offering a very 2018 twist in its bloody finale. “It was beautiful to watch what happened with Laurie Strode and her daughter and her granddaughter and watch three women take back the power from a perpetrator,” she says.
Curtis will go down in history as a legendary scream queen; she knows it’s inevitable. “All I hear is the grading, the rank ordering in my industry. A-list. A-listers. I’m in B-movies. That’s how I’ve buttered my bread. And horror movies are like at the bottom end of the scale.”
Breakout films like “True Lies,” “A Fish Called Wanda” and “Trading Places” were hard-won. She’s grateful, says Curtis, who is married to filmmaker Christopher Guest (“This Is Spinal Tap,” “Mascots”). “But I’m saying there are many directors I admire. I am a film lover, I am a reader, I was born and raised here, I married a film director, we have friends, we are in circles, we know people – none of them have ever hired me.”
Curtis calls herself lucky. To have hit bottom while she was still employed and loved. To have had access to help. “I have made shifts along the way,” she says, but acknowledging and honoring her personal bandwidth: “That’s the single greatest accomplishment of my life.”
Credit: Andrea Mandell, USA TODAY